The exhibition design is minimal, allowing for the objects to “shine” within the emblematic stone rooms of the Monastery. The labyrinthine layout and the old stone walls are complemented by the dark wooden surfaces of the setworks, the rusty metal details and the heavy fabrics. The lighting is low and considered, calling for the silence and respect of the visitor, while the light halos created around the exhibits are setting the pace, singling out the most intriguing, valuable objects and leaving in the darkness the most common ones. Yet, all the treasures are there, to be seen, admired, or used.